Attempted vlog and Log (5)

This vlog was almost as big of a fail as my blog posts 1, 2, and 3. My biggest problem is that I was too confident and I thought that I could come up with things off of the top of my head and they would be funny. While some of the jokes were pretty funny, I couldn't continue with the joke. To compensate for this fact, I made a compilation of some of the funniest jokes I made up. Keep in mind that some of my ideas for my vlog changed over time. Instead of just writing a full routine when I realized that this improvisational technique wasn't working, I decided to stick with it because it still shows the idea of making jokes up on the spot, which is what I've been working on this entire week. Enjoy these random clips of me trying to be funny. (I'm actually just super awkward and random in the video which makes it kinda funny)


Comedy...kinda from Alejandro T on Vimeo.

Along with the vlog, I also wanted to talk a little bit about comedic styles. Comedic style is the idea that not all comedy has to be delivered in the same way. Some comedians are extremely enthusiastic and full of emotions when they are speaking while others may tend to be straight-forwards and awkward. For example look at these two stand up routines, Darik Santos and Kevin Hart. The Kevin Hart one is a long video so just fast forward to a random part and watch like 1 minute or 2. Darik Santos is one of the most awkward people I have ever seen, but he does what a great comedian would do, and he uses that to his advantage. His jokes are stupid. So stupid that they make you laugh. That's the thing about this form of comedy. Awkward is funny. Not all comedy is made for the audience to laugh with the comedian, sometimes the comedian purposefully wants the audience to laugh at them. Looking at the Kevin Hart video, you see that he really feels what he is saying. If the story he is telling is full of pain, then he looks hurt. If the story is full of positivity, his voice reflects that.

The point of showing this is to explain how comedy isn't one sided. Many people might not understand a certain form of stand up, while others could die laughing at the same routine. There is an infinite number of ways to make a stand up routine. Look at Andy Samburg in this Harvard Ceremony. Its incredible how a good joke can fit any occasion.

Interview: Joe Conklin

Introducing Joe Conklin. He does comedy and impressions in the Philadelphia area. You can find him on his website or on his YouTube channel. Much of his comedy is about impersonating Philadelphia sports players. He graduated from Temple University and has been in the comedy business for quite some time now.

My experience finding an expert was pretty straight forwards. While visiting and talking previous teachers, the subject of this project came up. Don't ask how or why it came up, just go with it. My ex-teacher then started talking about how she had recently seen a comedian do impression by the name of Joe Conklin. After a few days, I decided to finally look this mysterious guy up on the internet. I came up with the links provided previously in this post. Anyhow, I couldn't find his email anywhere. The only thing I found was a link to fill out a forum to hire Joe Conklin for an event. I was about to hire him too, but that's when I realized that I could send him a YouTube message. No, I don't mean a comment, I mean the hidden button on YouTube channels that acts as an email. After I sent an email, he responded fairly quickly. The response was, of course, yes. I then made a mistake that I would regret for the following week. A mistake that made me think that I sabotaged my own interview. The mistake was that I forgot to reply. The following day, I also forgot to reply. This continued until I finally decided to send him a response with some questions a week afterwards. Now, if he didn't respond to this, my gifted grade would surely go down the drain. He didn't respond. I would end up waiting an entire week until I decided to send him another message. This time he was quick to respond with the answers to all of my questions:

1. How did you get into comedy?

I have been doing impressions since I was a little kid, maybe 5-6 years old.  I used to imitate the voices of my uncles, neighbors and teachers.  I’m one of 7 kids and many of my siblings and even my parents used to do voices –put on affectations while telling stories and breaking chops, so it was pretty much in my family growing up.

2. What makes a good comedian?  

Observe and report, simple as that.  You must be able to see what is happening: in a situation, in your house, in the world; and how it effects people.   Observing the subtle nuance of people and situations is a key.  A person’s style, ability and articulation then comes in to play in the reporting of your observations.  Tell the world what you saw, what you know.

3. What were some of the major stepping stones for you in your career?  

Always be on the lookout for a stage, a microphone or any crowd willing to listen.  For me it was when company came around for holiday dinners with my aunts, uncles, cousins.  As I got older it was the microphone in church (reading as a lector) and in high school as PA announcer at the basketball and football games.  Then later at charity events, fundraisers.  These events are always looking for volunteers and people who will entertain for free.

4. Do you have any suggestions for an aspiring comedian?  

See the previous answer.  I think that is a good road map.  And start with assembling your best 3 minutes of material, memorize it until you have it down.  Then perform it in public over and over again.  Make changes as you find out what works and what doesn’t. 

5. How do you come up with your routines?  

Constant observing and reporting of what I see on TV, walking down the street, in the store, driving in my car, etc.

6. How do you improve yourself as a comedian?  

Edit, edit, edit.  Keep chiseling away at your jokes, yours scripts until you have no extra words.  Two rules have helped me that I learned in a composition class in college: 1) Every slashed syllable is a good deed.  And 2) If it doesn’t add, it subtracts.   (the shorter you can say something the better and more effective it is). 

I thought it was interesting how he considers his comedy career to have started when he was still a small child. He also considered his training to consist of public speaking at church and with family. As someone who has read at church and is on the school's debate and speech team, this response made me feel so much more confident about my comedy career. It showed me that I'm not completely brand new to the comedy world. Another part that I found interesting, is how he finds comedy in the world around us. Last week when I was thinking of an idea for my stand up routine, I thought of what he said. This made me realize something that has taken me about 10 years to realize. Lastly, he said something that was Mr. Perlman-esque. In that "if it doesn't add, it subtracts". This has gotten me to think more about how to relate my comedy routines to something I'm more familiar with like an essay. I was so fascinated with what Joe Conklin was saying that I had to learn more.  I later asked how he decides on what parts of his routines he cuts and what parts he builds around. He responded, "I try out my jokes on the people around me: family, friends, students, parents and on social media. Gauge the reaction."  This is interesting in that he uses his the people around him in order to make his routines. I would've thought that he did all of his writing by himself, and that it would automatically be this brain-bursting comedy routine that would have everyone rolling around on the floor like if they were getting tickled shortly after he introduced himself. This refining process is really brings out the artistic part of comedy. At the end of the interview, Joe referred me to some comedy writing courses in the area. We wrote to me, "There are classes, seminars, workshops for humor writing and stand-up comedy.  I would recommend picking something like that out and giving it a try.  I went to Temple U.  In my junior year I took a journalism course entitled Humor Writing for 4 credits.  It is still taught there today by Diane Bones.  I go back and speak to the students every semester." This gives me an idea of something to do if I want to continue doing comedy even after this project is in the past. 

Some Real Comedy (4)

This week I made some major advances for my project. I finally started it. My main focuses this week has been analysis, writing, and a little bit of practicing/performing. As for analysis, I was mainly looking at Louis C.K. and his ability to put emphasis on certain words. Let's analyze together!

I play monopoly with my kids...The six year old totally gets how the game works but she's not 

emotionally developed enough to handle her inevitable loss in every game of monopoly.

This statement serves as sort of the thesis statement for Lewis C.K.'s joke about monopoly. When he delivers these lines he puts special emphasis on the phrases "inevitable loss" and "every game". These two phrases are what make his thesis statement funny. They make the joke funny because of something called a comedic surprise in language. In your everyday life you are used to certain words falling into certain orders. You are probably used to hearing "losing in games", but when Louis C.K. adds in the words, "inevitable" and "every", he puts comedic emphasis on these words which throws off how you are normally used to hearing that line. Hence the joke is deemed funny. Another thing to key in on is how he pauses after he says those phrases (the quote is hyperlinked so that you can see how he says it). He pauses because he is placing the laughs of the audience between those phrases.

If you look at the end of the video, Louis C.K. does more laughter placing. This allows him to be in control of the stage and the audience which are both crucial parts of stand up. Watching Louis C.K. talk about his experiences with monopoly made me realize that I don't really have any normal board games at home. This encouraged me to write my very first routine. 

Looking back and assessing my comedy, I think that the first half was shaky and then it became much funnier towards the end of the bit. Something I feel like I could definitely work on is putting emphasis on specific words and telling jokes with more emotion. It seemed to me as if my language and my delivery were too monotone and didn't accurately convey the emotion that the joke should have delivered. While my jokes may not have been the funniest things in the world, they still showed some of the fundamentals to comedy that I need to improve on in the following weeks of this project.

p.s. interview with Joe Conklin has been completed and now I'm just waiting for the right blog to talk about it in. 

Anticipation (3)

Over the past week I've undergone some intense comedic training. By intense comedic training I obviously mean, sitting on my couch and watching loads of comedians rant about babies. While this was partially for entertainment, not study, I did learn how to talk about something for long periods of time without exhausting your audience. This sort of information will help me once I begin to finally write some comedy next week. I know, everyone's been asking for some good jokes, but they're finally coming next week. I'm leaving this subject with a "to be continued" label. As for an expert, I have made some advances to try and get an interview with an undisclosed local comedian. Here's a hint: he does comedy based on Philadelphia sports and impressions. That's pretty much all I have. My project is nearing the tipping point where all of the good content comes out. As for now I'm going to have to leave everyone waiting on the edge of their seats until next post.